1 The object of the artist is the creation of the beautiful.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 2 What is that beauty which the artist struggles to express from lumps of earth, said Stephen coldly.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 3 This supreme quality is felt by the artist when the esthetic image is first conceived in his imagination.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 4 The image, it is clear, must be set between the mind or senses of the artist himself and the mind or senses of others.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 5 Beauty expressed by the artist cannot awaken in us an emotion which is kinetic or a sensation which is purely physical.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 6 The personality of the artist passes into the narration itself, flowing round and round the persons and the action like a vital sea.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 7 When we come to the phenomena of artistic conception, artistic gestation, and artistic reproduction I require a new terminology and a new personal experience.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 8 The artist, like the God of creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 9 The personality of the artist, at first a cry or a cadence or a mood and then a fluid and lambent narrative, finally refines itself out of existence, impersonalizes itself, so to speak.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 10 I thought he might mean that CLARITAS is the artistic discovery and representation of the divine purpose in anything or a force of generalization which would make the esthetic image a universal one, make it outshine its proper conditions.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 11 The simplest epical form is seen emerging out of lyrical literature when the artist prolongs and broods upon himself as the centre of an epical event and this form progresses till the centre of emotional gravity is equidistant from the artist himself and from others.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 12 These forms are: the lyrical form, the form wherein the artist presents his image in immediate relation to himself; the epical form, the form wherein he presents his image in mediate relation to himself and to others; the dramatic form, the form wherein he presents his image in immediate relation to others.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5