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Current Search - chapel in A Portrait of the Artist as a Young Man
1 Only prayers in the chapel and then bed.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
2 There was a cold night smell in the chapel.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
3 The cars drove past the chapel and all caps were raised.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
4 The corridors were darkly lit and the chapel was darkly lit.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
5 The vestry and chapel were peopled with eager masters and boys.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 2
6 It was not the chapel but still you had to speak under your breath.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
7 He heard the voice of the prefect of the chapel saying the last prayers.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
8 There was cold night air in the chapel and the marbles were the colour the sea was at night.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
9 It was not like the smell of the old peasants who knelt at the back of the chapel at Sunday mass.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
10 Then he would have a dead mass in the chapel like the way the fellows had told him it was when Little had died.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
11 In a dark corner of the chapel at the gospel side of the altar a stout old lady knelt amid her copious black skirts.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 2
12 A score of the younger boys in white knickers and singlets came pattering down from the stage, through the vestry and to the chapel.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 2
13 The bell rang for night prayers and he filed out of the study hall after the others and down the staircase and along the corridors to the chapel.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
14 And they would carry the coffin out of the chapel slowly and he would be buried in the little graveyard of the community off the main avenue of limes.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
15 A little troop of Neapolitan peasants were practising their steps at the end of the chapel, some circling their arms above their heads, some swaying their baskets of paper violets and curtsying.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 2
16 On the way home uncle Charles would often pay a visit to the chapel and, as the font was above Stephen's reach, the old man would dip his hand and then sprinkle the water briskly about Stephen's clothes and on the floor of the porch.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 2
17 Because on the day when he had made his first holy communion in the chapel he had shut his eyes and opened his mouth and put out his tongue a little: and when the rector had stooped down to give him the holy communion he had smelt a faint winy smell off the rector's breath after the wine of the mass.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
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