1 Tess was standing apart from the rest, near the gate.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 1 The Maiden: X 2 Two men were standing by the yard gate, holding it open.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 4 The Consequence: XXXIII 3 He sat on the east gate of the dairy-yard, and knew not what to think of himself.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 4 The Consequence: XXV 4 He unstrapped his knapsack, put it, with his stick, on the hedge-bank, and opened the gate.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 1 The Maiden: II 5 She went to his house after dusk, and stood by the gate, but could not summon courage to go in.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 2 Maiden No More: XIV 6 However, about noon she paused by a gate on the edge of the basin in which Emminster and its Vicarage lay.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 5 The Woman Pays: XLIV 7 They leant over the gate by the highway, and inquired as to the meaning of the dance and the white-frocked maids.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 1 The Maiden: II 8 Tess followed slowly in their rear, and entered the barton by the open gate through which they had entered before her.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 3 The Rally: XVI 9 I have walked hundreds of miles this past summer, painting these texes on every wall, gate, and stile the length and breadth of this district.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 2 Maiden No More: XII 10 The laughter rang louder; they clung to the gate, to the posts, rested on their staves, in the weakness engendered by their convulsions at the spectacle of Car.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 1 The Maiden: X 11 Occasionally she stopped to rest in a mechanical way by some gate or post; and then, giving the baggage another hitch upon her full round arm, went steadily on again.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 2 Maiden No More: XII 12 She suddenly took to her heels with the speed of the wind, and, without looking behind her, ran along the road till she came to a gate which opened directly into a plantation.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 5 The Woman Pays: XLI 13 His father's hill-surrounded little town, the Tudor church-tower of red stone, the clump of trees near the Vicarage, came at last into view beneath him, and he rode down towards the well-known gate.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 4 The Consequence: XXV 14 The machine had begun, and a moving concatenation of three horses and the aforesaid long rickety machine was visible over the gate, a driver sitting upon one of the hauling horses, and an attendant on the seat of the implement.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 2 Maiden No More: XIV 15 Passing by the tower with her husband on the path to the gate she could feel the vibrant air humming round them from the louvred belfry in the circle of sound, and it matched the highly-charged mental atmosphere in which she was living.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 4 The Consequence: XXXIII 16 But coming as the invitation did at the particular juncture when fear and indignation at these adversaries could be transformed by a spring of the foot into a triumph over them, she abandoned herself to her impulse, climbed the gate, put her toe upon his instep, and scrambled into the saddle behind him.
Tess of the d'Urbervilles By Thomas HardyContextHighlight In PART 1 The Maiden: X 17 Yet such was the force of example that the village young men, who had not hastened to enter the gate while no intruder was in the way, now dropped in quickly, and soon the couples became leavened with rustic youth to a marked extent, till at length the plainest woman in the club was no longer compelled to foot it on the masculine side of the figure.
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